deadstream_TV Episode 7
Digital film 3:11sec
Still image by Danni Zuvela
“Smoke Cloak is a security system, used by retail businesses that produces a dense vapour in the event of an intrusion. It is designed to force the thief to leave the building empty-handed. However smoke-screens have been used by governments and corporate investors to hide over-allocation of water for commercial gain. The production of cotton grown largely for the apparel industry is a major culprit of water theft in Australia.” – Libby Harward
deadstream_TV E1: WARIBUL WAYIRA (hungry waterways)
deadstream_TV E2: SALTWATER REFLECTIONS
deadstream_TV E3: UNDER-EXPOSED / OVER-EXTRACTION
deadstream_TV E4: DOWNSTREAM
deadstream_TV E5: BLOODLETTING
deadstream_TV E6: UPSTREAM
deadstream_TV E7: SMOKE CLOAK
deadstream_TV E8: AMPLIFICATION, AFFIRMATION, LOCATION, SPIRIT, SONG
deadstream_TV E9: (DAMMED: RELEASING SOON)
deadstream_TV E10: (BANKED: RELEASING SOON)
deadstream_TV E11: (DRAINED: RELEASING SOON)
deadstream_TV E12: (CHOKED: RELEASING SOON)
Water is our lifeblood and we need to protect and look after it, as it looks after us.
First Nations people of this country have been holding cultural responsibilities to sustain our waterways from the beginning of time. Yet after just 230 years of colonial mismanagement, our ancient river systems are in grief; over-extracted, commodified, depleted and disrespected. From the speculative marketplace in water futures to rorting of water allocations, excessive irrigation IS colonial violence. Our rivers, in other words, are being bled out.
deadstream_DABILBUNG (broken water) presents deadstream_TV: a selection of film and sound works centring the issues facing fresh and saltwater country and culture.
The “wild”-flower season 2019 began my journey with my two children, through what is known in contemporary western terms as “The Murray-Darling Basin” (The Baaka and The Bidgee), on a project that longs to restore traditional custodianship of our fresh-water-ways: the rivers, creeks, lagoons, channels and wetlands that are currently threatened with imminent extinction. Following the footsteps of my Ancestors, we began this journey on my Ancestral country, beautiful Mulgumpin, in the Quandamooka, spending time with my Ngugi Elder, Gheebelum, Uncle Bob Anderson, listening with my children and reflecting-in fresh-water stories.
In Oct 2019, we took a 2800km, 12-day road trip, crossing at least 10 of the 27 Aboriginal Nations that make up the Murray-Darling Basin, to join the Yaama Ngunna Baaka Corroboree, with Uncle Bruce Shillingsworth. We listened to the fresh-water stories of Traditional Custodians, in order to join the call to reinstate Traditional Custodianship over these hungry water-ways, and help expose the forces that are starving and choking them.
In March 2020 my work hit a bend in the river due to the restrictions forced upon us by COVID 19. I was gifted a shift in my focus that gave me a sense of urgency to present and archive the conversations I had with traditional custodians and allowed the time to re-imagine the production of these works for an online output. Due to the home schooling requirements, I was also able to continue the involvement of my children in the realisation of the work, so their footprint is now not only on the creative development, but also they are co-creators of some of the final works.
Listening is integral to reinstating Indigenous governance, and these audio and visual works in this stream include opportunities for extended attention with re-projection and amplified soundscapes. These are works of expanded sound and vision in which you, the spectator, are invited to listen with your eyes, and your ears.
deadstream_TV is an experiment in online gallery practice.
It is also a kind of spiritual blood-letting, through which thoughts – concepts – conversations – and First Nations perspectives – may flow.